![]() “That may be one of the movie’s greatest achievements: it placed AI into the mainstream consciousness even before the first AI robot, Shakey, was completed in 1969,” writes Murphy, who is a professor at Texas A&M University. In an article published in the journal Science Robotics this week, US computer scientist and roboticist Robin Murphy argues that the film not only anticipated many advancements and challenges in robotics, but also had an impact on the public perception of artificial intelligence (AI). In many ways, 1968’s science fiction has now become 2018’s reality, with the film’s influence pervasive in the conceptualisation, design and application of various technologies. “I never considered 2001 as a strict prediction,” Clarke said later, “but as more of a vision, a way things could work.” Watch the movie closely and you’ll see flat screen computer monitors, touchscreen tablets, robotics used in space, and, of course, artificial intelligence. This close consulting not only created a sense of scientific accuracy, but also produced an array of visionary predictions about humankind’s future technologies, all based in real possibilities. Their solution was to hire astronomical artists, aerospace engineers and ex-NASA employees, who advised on spacecraft design, control panels, display systems, communication devices and more. While the film was being made, NASA was madly trying to put men on the moon, so Kubrick and Clarke knew that their sets and props had to outstrip the new technologies being spawned or else rapidly become outdated or incorrect. The movie has a distinctly philosophical streak that was missing from the sci-fi genre at the time, and this combined with realistic production design, visual effects, and an instantly iconic score to create a pioneering work of cinematic art.Ģ001 inspired new generations of sci-fi storytellers, from George Lucas to Steven Spielberg to Christopher Nolan, opening up the floodgates for blockbusters in the years to come.īut 2001 has also had a profound influence on science: it’s bursting with technology and ideas well ahead of their time. ![]() Clarke, 2001 follows astronauts as they investigate alien artefacts found on the moon. The brainchild of filmmaker Kubrick and sci-fi veteran Arthur C. This year marks half a century since it was first shown, and in that time the futuristic epic has not only rocked the film world but the science world as well. ![]() He discusses the slit scan technique he used in 2001.A year before humanity put a man on the moon, Stanley Kubrick released what some argue to be his ultimate masterpiece – 2001: A Space Odyssey. DOUGLAS TRUMBULL | Master Class | Higher Learningĭouglas Trumbull, the industry pioneer behind the special effects of 2001: A Space Odyssey, Close Encounters of the Third Kind, and Blade Runner joins post-secondary students and faculty to discuss his remarkable career in visual effects and his own directorial projects. If you want to go deeper down the rabbit hole on this technique head over to Filmmaker IQ. The good folks over at Filmmaker IQ created an amazing explanation of the mysterious and forgotten camera technique used in the sequence called Slit Scan. ![]() This effect was created in a time with no computers or visual effects as we know them today. Once eye-opening visual effect created for the film was the “Stargate” sequence in the film. His masterpiece 2001: A Space Odyssey will be studied for decades to come. Anyone who has ever heard an episode of the IFH podcast or comes to this site knows what a HUGE fan I am of the legendary master Stanley Kubrick.
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